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The astounding variety of gilding techniques and styles practiced by SOG members is featured below.
If you are an SOG member, your work is welcome here. Just go to "My Account" and follow the steps. You will be able to upload:
- A brief biography/artist statement
- Up to three Images of your work
- Description of works shown
- A photo of yourself (optional)
gilder, artist, decorative painter
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Author: Sandra Spannan www.see-painting.com German Artist Sandra Spannan runs see. Painting, Inc nationally and internationally since 1994, specializing in Architectural & Fine Art Gilding, Gilded Signage, Verre Eglomise, Faux Finishes, Trompe l’Oeil, Murals and Venetian plaster. Born 1971 in Germany, Sandra Spannan studied painting, design and art history at the University of Wuerzburg, Germany and the New York Academy of Art and in different workshops and internships throughout Europe and New York. Her work has been featured in The New York Times; The New Yorker; Esquire; Vogue; Architectural Digest; Interior Design; Design Times; Paper; Time Out; Berliner Morgenpost; Die Welt; ALEGRA; Italian Gulliver; Japanese Hanatsubaki. |
Sandra Spannan 's Works
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Palladium Leaf on Walnut panels www.sandraspannan.com The new ART work of Sandra Spannan is a series of gilded walnut panels showing images of tree branches and other elements in nature. Chaos in these forms of nature are attractive and beautiful, still when we encounter manmade chaos, we tend to find it disturbing or distractive. All pieces reflect on the constant longing for that natural and endless chaos, especially living and working in New York City. The natural and old materials like precious metals and solid wood enhance the exploration of nature. |
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gilded glass table top 23 karat gold, 9 Karat White gold and artist oil paints; Verre Eglomise or reverse gilding and painting on glass |
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23 Karat Gold leaf umbrella ceiling 23 Karat Gold on umbrella ceiling in private entrance in NYC. Each triangle of the umbrella plaster dome was gilded individually to enhance the three dimansional effect of the plaster design. Gold leaf sheets had to be cut individually in order to get thinner toward the center. |
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Author: Rebecca Hotop |
Rebecca Hotop 's Works
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Author: Anatoly Petrov |